Artist Writings

Artist Writings

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It sounds Greek or Latin, not Tamizh. Why?
Language history tells a different story
Jan 9 • Pragati Gunasekar
Artistic Illiteracy
Ignorance Isn’t Bliss: The Cultural Cost of Misreading Sacred Art
Jan 3 • Pragati Gunasekar
Seeing Ruth Asawa as an Electrical Engineer
On Wire, Systems, and the Quiet Precision of Ruth Asawa
Feb 1 • Pragati Gunasekar
Leadership beyond motherhood
Societies that reduce women to wombs
Dec 8, 2025 • Pragati Gunasekar
Field Research in Mahabalipuram
Two Weeks Mentorship in Traditional Stone Carving
Nov 8, 2025 • Pragati Gunasekar
Celebrating a Milestone
Official collaboration with the New York Foundation for the Arts (NYFA)
Feb 18 • Pragati Gunasekar
From Chennai to New York
Teaching Art & Culture at NYAA
Aug 17, 2025 • Pragati Gunasekar
Art & Tech @NYC Google Hackathon
On friction, attention, and why museums need quieter technology
Feb 28 • Pragati Gunasekar
Importance of a sketchbook
A private laboratory for visual thinking
Mar 11 • Pragati Gunasekar
Not-enoughness travels
Brown in India, ‘too Black’ in Bogotá, ‘too poor’ in Boston—same caste code, new ZIP.
Jun 25, 2025 • Pragati Gunasekar
Whiteness Is a Deal, Not a Birthright
My take on Noel Ignatiev’s How the Irish Became White (1995)
Jul 14, 2025 • Pragati Gunasekar
"Caste: The Origins of Our Discontents" by Isabel Wilkerson
Here's my review of Isabel Wilkerson's book "Caste: The Origins of Our Discontents".
Jun 28, 2025 • Pragati Gunasekar
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